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Oxygen

Ebbinghaus did a research in 1885 which formed the basis for the psychological study of learning.

His research involved just one subject Himself! His findings are portrayed in figure 1 which:

  • Shows as the lesson is repeated on successive days, the rate of forgetting slows down.
  • The number of new exposures needed for relearning is reduced. ...more


 
 
FIFA Quarter Final Analysis  
 

aMap's Mailers on FIFA World Cup 2006 were widely appreciated by the practitioners and media alike giving timely insights into Indian Television Viewership of this global event.

FIFA World Cup 2006

If you need any information on Indian Television Viewing Behaviour of FIFA world Cup 2006, please write to oxygen@audiencemap.com.


Oxygen is an aMap (Audience Measurement and Analytics Ltd) publication that aims at bringing fresh perspectives to the practicing media professional. It will be our endeavor to inform you of the issues that are shaping the media industry around the globe and their possible impact on the direction in which Indian media industry could move.


TRAI Consultation Paper on DTH

Marketer's Portal

Ebbinghaus – A Brief Introduction

Cable Advertising Bureau


Dish TV


Media buyers and sellers have the audience product at the center of all the commercial exchanges. aMap with its enhanced data dimensions provide a platinum view of the audiences in terms of Homes with durable ownership ... more


 

July 03, 2006

The Audience Product

In the mass communication process the audience product is formed by continuous interaction of consumers with media organizations and audience measurement firms. Both the institutions are important to the exercise of creating the audience product as, without media firms, no audience exist to be measured and without measurement firms no tangible data exists to be sold to the advertisers.

Audience Flow The advertisers that are trying to reach out to their target audience actually purchase them before they are actually produced by the media.

Fred Silverman, the legendary programmer for CBS, ABC, and NBC in the 1970's has been quoted as saying, “Fifty percent of success (read good ratings) is the program and fifty percent is how it is promoted.” In the late 1990's the top four networks in USA were collectively foregoing as much as $4 billion worth of advertising revenues to carry on air promotions.

In the current demassified, multichannel media environment, audiences are more selective in their media choices and simple technology like remote enables them to exercise this choice. This makes the task of Programmers and Media Planners alike a shade different and difficult as they try and keep pace with the changing tastes of Indian Television Viewing Populace.

DTH services coupled with advanced electronic programme guides (EPG), Video on demand ( VOD ) and Near VOD, Personal Video recorders (PVR's) coupled with Multi Dwelling Unit Solutions, will accelerate the pace of adoption of DTH into Urban Indian Homes (refer to related links for a glimpse into future STB products on the anvil).

RemotesThese technologies have the potential of audience polarization; this is already common is movies, music, films and to an extent radio. Same selectivity might emerge in television audiences as we move ahead on the media/ communications technology trail.

 

This brings Media Branding to the fore and reinforces its importance both for Broadcasters as well as media planners/buyers (Secondary media consumers) that ultimately consume the audience product.

Branded Audiences

A media brand can also be called a shop for branded audiences, “ABC F 24+, a little more upscale and a little more educated”. This is what we initially called the audience product. The one that makes the marketing world go around. Its importance is never lost to wither the advertising fraternity or broadcasting brethren. These branded audience coming from a trusted source have become increasingly important due to clutter in the media marketplace in the last decade as demonstrated by figure 1.

 

Fragmented Audience

 

Figure 1 : Fragmented Audience - A Television day for an aMap Home

Understanding the repertoire of favourite channels of audiences is essential for any media marketers in the task to understand the audience flow and programme sampling issues. Though the number of channels at the disposal of the audience is ever increasing across genres; the number of channels consumed daily has not grown proportionately (refer Oxygen May issue). If we take time spent as a filter, only five to six channels will emerge on which a consumer spends more than 10% of their daily viewing time on an average.

Ratings Based Theory of Audience Behaviour

24 x 7 Audience MapTo understand present and future complexity of audience behaviour, transition and loyalty, more work is required in constructing theories of Audience Behaviour and aMap research continues to strive for creating more India specific understanding of television audience and sharing them with the industry. As the programming structure becomes more complex and the constraints placed on viewer activity change. For the time being it is not yet inconceivable that many viewers travel from program to program simply because of how those programs are placed on the schedule.

Please feel free to send your comments on feedback@audiencemap.com and we can assure you that we will try and respond to all your information requirements through this periodical.

This periodical is mailed to its subscribers on the first working day of every month. If you have received this as a forward, write to oxygen@audiencemap.com for your own copy.

After the break

The next issue of OXYGEN will discuss the interplay between Marketing, Audience Measurement and Media Planning.

 

Periodicity

Oxygen is mailed to its subscribers on the first working day of the month. If you wish to subscribe to this publication, write to oxygen@audiencemap.com.

 

© 2008 Audience Measurement & Analytics Ltd

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